Thursday, December 31, 2009

Facts and Myths about the Jews in Poland and Russia

Partner:Sixth and I Historic Synagogue
Location: Sixth & I
Washington, DC
Event Date: 02.17.09
Speakers: Antony Polonsky
Summary

Though most European and American Jews can trace their lineage back to Poland or Russia, the history of the experiences of the Jewish people in these two countries is shrouded in mystery, myth, and stereotypes. Drawing on his forthcoming three-volume study, The Jews in Poland and Russia, Dr. Polonsky addresses these common misconceptions and creates a more complete understanding of the Jewish experience in the region. Award-winning author of numerous articles and publications on Polish-Jewish issues, Dr. Antony Polonsky is the Albert Abramson Professor in Holocaust Studies at Brandeis University in Massachusetts and the 2008-2009 Ina Levine Invitational Scholar at United States Holocaust Memorial Museum’s Center for Advanced Holocaust Studies. Co-sponsored with the Jewish Study Center and the Foundation for Jewish Studies.

Bio
Antony Polonsky - Award-winning author of numerous articles and publications on Polish-Jewish issues, Dr. Antony Polonsky is the Albert Abramson Professor in Holocaust Studies at Brandeis University in Massachusetts and the 2008-2009 Ina Levine Invitational Scholar at United States Holocaust Memorial Museum's Center for Advanced Holocaust Studies

Friday, December 18, 2009

Paradise Now - Award winning Palestinian Film الجنّة الآن

(from Wikipedia)

Paradise Now (Arabic: الجنّة الآن‎) is a 2005 film directed by Hany Abu-Assad about two Palestinian men preparing for a suicide attack in Israel. It won a Golden Globe for best foreign language film and was nominated for an Academy Award in the same category.
"The film is an artistic point of view of that political issue," Abu-Assad said. "The politicians want to see it as black and white, good and evil, and art wants to see it as a human thing."



















Production

Hany Abu-Assad and co-writer Bero Beyer started working on the script in 1999, but it took them five years to get the story before cameras. The original script was about one man searching for his friend, who is a suicide bomber, but it evolved into a story of two friends, Said and Khaled.
The filmmakers faced great difficulties making the film on location. A land mine exploded 300 meters away from the set.[2] While filming in Nablus, Israeli helicopter gunships launched a missile attack on a car near the film's set one day, prompting six crew members to abandon the production indefinitely.[3] Paradise Now's location manager was kidnapped by a Palestinian faction during the shoot and was not released until Palestinian President Yasser Arafat's office intervened.[2] In an interview with the Telegraph, Hany Abu-Assad said, "If I could go back in time, I wouldn't do it again. It's not worth endangering your life for a movie."[4]

Distribution and marketing

The Israel Film Fund is underwriting the film’s distribution in Israel.

Statements by the filmmakers

In Hany Abu-Assad's Golden Globe acceptance speech he made a plea for a Palestinian state, saying he hoped the Golden Globe was “a recognition that the Palestinians deserve their liberty and equality unconditionally."[5]
In an interview with a Jewish American Tikkun magazine, Hany Abu-Assad was asked "When you look ahead now, what gives you hope?", "The conscience of the Jewish people" he answered. "The Jews have been the conscience of humanity, always, wherever they go. Not all Jews, but part of them. Ethics. Morality. They invented it! I think Hitler wanted to kill the conscience of the Jews, the conscience of humanity. But this conscience is still alive...Maybe a bit weak...But still alive. Thank God."[6]
Co-producer Amir Harel is a Jewish Israeli, who told reporters that "First and foremost the movie is a good work of art", adding that "If the movie raises awareness or presents a different side of reality, this is an important thing."[7]

Controversies

Oscars

Paradise Now was the first Palestinian film to be nominated for the Academy Award for Best Foreign Language Film. An earlier Palestinian film, Divine Intervention (2002), had controversially failed to gain admission to the competition, allegedly because films nominated for this award must be put forward by the government of their country, and Palestine's status as a sovereign state is disputed.[8] However, since entities such as Puerto Rico, Hong Kong and Taiwan have been submitting entries for years although they are not sovereign states with full United Nations representation, accusations of a double standard were made.[9]
Paradise Now was submitted to the Academy and to the Golden Globes as a film from 'Palestine'. It was referred to as such at the Golden Globes. However, Israeli officials, including Consul General Ehud Danoch and Consul for Media and Public Affairs Gilad Millo, tried to extract a guarantee from the Academy of Motion Picture Arts and Sciences that Paradise Now would not be presented in the ceremony as representing the state of Palestine, despite the fact it was introduced as such in the Academy Awards' official website.[10] The Academy Awards began to refer to the film's country instead as "the Palestinian Authority". This decision angered director-writer Hany Abu-Assad, who said it represented a slap in the face for the Palestinian people and their national identity. The Academy subsequently referred to it as a submission from the "Palestinian Territories".[11] In a further complication, Israeli writer Irit Linor points out that "according to internationally accepted conventions, the nationality of a film is usually determined by the country that invested in it - and that while the film was categorized by the Academy as representing Palestine, it was produced with European funds, by an Israeli-Arab director."[12]
On March 1, 2006, a group representing Israeli victims of suicide bombings asked the Oscar organizers to disqualify the film. These protesters claimed that showing the film was immoral and encouraged killing civilians in terror acts.[13]

Anti Semitic themes

In February 2006, Irit Linur, an Israeli novelist and screenwriter, pointed out to some anti-Semitic themes in the film.[14][15] Linur argued that the only Jew who has a speaking role in the movie is "Abu Shabab", the moniker of an Israeli Jew who take Said and Khaled to Tel-Aviv. Before they leave his car "Abu Shabab" wishes them "good luck" in Hebrew. "Abu Shabab" is supposed to be paid for transporting the suicide bombers only after the mission is completed. In this, the maker of the movie imply to the notion that Jews are greedy and will aid suicide attacks against other Jews for money, thus reflecting an existing theme inside Palestinian textbooks.[16]
Linur also drawed attention to another and more forthright example of an anti-Semitic canard, which is to be found in the conversation between Said and a Palestinian cab driver. The driver claims that Jewish settlers poisoned the wells by Nablus in order to harm the quality of Palestinians' semen. This accusation echoes the fib that the Black Plague was caused through poisoning of wells by Jews.[17] Again this accusation is reflecting an actual theme in Palestinian political discourse.[18]

Responses

Paradise Now has an 89% rating on the review compendium website Rotten Tomatoes.[19]
Stephen Holden, in his October 28, 2005 article in the New York Times, applauded the suspense and plot twists in the movie, and the risks involved humanizing suicide bombers, saying "it is easier to see a suicide bomber as a 21st-century Manchurian Candidate - a soulless, robotic shell of a person programmed to wreak destruction - than it is to picture a flesh-and-blood human being doing the damage."[20]
In February 2006, Irit Linur wrote that the film's use of sophisticated techniques and symbolism was used to present caricatures, recycle anti-Semitic myths and introduce Christological associations in the film.[21]

Awards

Academy Award

Golden Globe

Other awards won


Arabic only version - full length

Saturday, December 12, 2009

إرحل - Leave - Ahmad Qaabour - songs for Palestine





إرحل - Leave - Ahmad Qaabour - songs for Palestine


إرحل.. قالوا لي
Leave, They said to me
جند أتوا من بعيد
Soldiers who cam from far away

قالوا إرحل
They said : Leave!


دخلوا بيتي
They came into my home..
 قتلوا ولدي
They killed my son..
إغتصبوا امرأتي
They raped my wife...
قالوا إرحل..
They aid : Leave!

حفروا في الوجه مغارة
They engraved a cave in my face
مرّوا على جسدي
They ran over my body
زرعوا في القلب رصاصة
They planted a bullet in my heart
نصبوا لي الخيمة
They installed a tent for me
قلت سأبقى مارداً جرحاً يعانق تربتي
I said I will stay , a giant wound embracing my soil
و طرقت باب أمتي
and I knocked on the doors of my nation
وكانت نائمة
and it was sleeping
و بقيت وحدي
and i was left alone
وأمتي تحلم
while my nation was dreaming
دخلوا وأمتي تحلم
They came in .. while my nation was dreaming
قالوا إرحل..
They said : Leave!!

هذه بلادي واعلموا أن الصغار
This is my country and you better know that the small ones
من دورة الأحلام تمتلك القرار
from the cycle of dreams will own the decision
من سجون الليل تنتزع النهار وتمضي عواصفا
from the prisons of the night it grabs the daylight
and move like storms

Sunday, December 6, 2009

Lebanese to Israel: Hands off our hummus!



Lebanese chefs react after preparing a massive plate of hummus, seen in the middle, weighing more then 2,056 kilograms, during a bid to break a record previously held by Israel and reclaim ownership over the popular Middle Eastern dish, in Beirut, Lebanon, Saturday Oct. 24, 2009. The event is part of a simmering war between Lebanon and Israel over regional cuisine. Lebanese businessmen accuse Israel of stealing traditional Middle Eastern dishes, like hummus, and marketing them worldwide as Israeli products.


((AP Photo/Hussein Malla))

from: http://www.connpost.com/ci_13634457

Saturday, December 5, 2009

Rothschilds Exposed

The Illuminati - Rothschild Banking Family Exposed These video's show the history of the family and how they have accumulated their vast wealth, this will give you an insight on their plan to dominate the world through central banking.

Rockefeller Oil & Banking Family Exposed

The Illuminati - Rockefeller Oil & Banking Family Exposed

A video about the Rockefeller Family, including a brief family history, the history of Standard Oil company (now Exxonmobil) and the connection to the Nazi regime, and their connection to 9/11. The video shows how the Rockefeller family has accumulated their vast wealth through the decades, and I hope this video will give you an insight of how the Rockefellers intend to dominate the world through banking, politics and power.
(from http://www.youtube.com/user/goeleet )






Thursday, September 17, 2009

What's on my twitter mind

Tuesday, April 7, 2009

Wadida

I want to tell you about Wadida.

She is was first friend ever, we grew up together, she was beautiful, with green eyes, and dark blond curly hair. Her father, Ammo Abed was my idol, he was a communist leader , a great man who sacrificed everything for Palestine.
Me and Wadida grew up together, we fought the boys together, explored the fields, climbed the trees, played and played. We went to kindergarten together.

They took our fathers in the same day, we were neighbours, and our families were very close friends, and we were together all the time, Ammo Abed and my dad were teachers in the same school, they used to go to work together everyday, come back together everyday, and me and Wadida would play together everyday.

I can hardly remember what happened, I remember that there were noises, and darkness, I was in 1st grade 6 years old or something, and so was Wadida , I remember my mother was crying. My mother and Wadida’s mom would sit together and talk about the prison, and our fathers, and listen to the radio. Lots of people whom i don’t know came to our house and my mom was repeating the story over and over again; how they came in the middle of night and took my father, they didn’t give him the chance to change his clothes, they took him in his pyjamas and slippers. They also said that it is very cold in the prison, and i would imagine Ammo Abed and baba in one cell and baba is wearing his pyjamas.

I didn’t realize it then , but it seems this affected me a lot. I started wetting my bed again, and i would dream I’m in the sea swimming then wake up so scared that my mother would give me a hard time, I always tried to accuse my brother (of wetting my bed!).

My father used to take us to the fields;  Me, my brother, Wadida and her 4-year old sister Salam. he would play with us, he made nakkakeef for us (to catch birds) and teach us about trees and rocks and plants. I missed him.

Then Wadida became sick, she had a headache all the time, they took her to Hadassah, and i didn’t see her anymore, whenever i ask , they tell me she is sick, I got impatient, i always asked when would she become well so that we can play together again.
They said she had an operation, and my mom is visiting her in Hadassah, and her mother is in Hadassah, what is this Hadassah (i thought) and me and Salam are wondering what the hell was happening, my mother's temper was really bad, I was scared to ask a lot of questions, and i didn’t know who to ask.

I would hear the neighbours talking about Wadida, ya 7aram , maskeeneh, poor girl, Allah y3een imha (may god help her mother), but i was still waiting for her to become well and come back so that we can play together again.

My father came out about six weekd later, but Ammo Abed was still in jail. They must have realised that my father is not really an activist or a communist, he is just Ammo Abed's friend.

I remember the day he came out, he was still in the pyjamas, but he had a coat on top of the pyjamas, or maybe it's just my imagination. We didn’t know they released him, they never tell you, the same way they never allowed for a trial, they just take people when they feel like it and release them when they want to, (if they want to) , and you cant ask why.
Some kids from the neighbourhood came running to our house, calling my mother, 'Abu khalil is out!!' they informed her excitedly. My mom ran out to the street , and she saw baba, and just like the old Egyptian movies, they ran towards each other, until they ended up in each other's arms, all the 7ara (neighbourhood) was watching, (they've never seen such a romantic scene in the middle of the 7ara, even between married couples. the most they've seen is newly engaged couple walking while holding hands. I was very happy, i did the running act too. i remember my father's smell that i missed.

Wadida didn’t get better, she was still in Hadassah, and they were still operating on her, and the hope for Ammo Abed to get out was getting less and less. His lawyer (Velitsia Langer) was fighting just to get him a trial (but this never happened).
My father told me Wadida is coming back from the hospital, but he told me that she will be in bed, and that I should be very nice to her because she is sick. and that she lost her hair and is wearing a wig now and i shouldn’t laugh or comment about that.

Wadida was their first child, she was her father's precious, Velitsia tried to get a permission for Ammo Abed to visit her, but the Israeli authorities refused.
My parents were always at Wadida's place, sometimes she'd wake up in the middle of the night, in pain, and ask for my father, he tells her stories, and jokes, she loved him, children always loved my baba.
Sometimes she'd ask for me, so I would go there , and she would play with me (as much as she can, laying in that bed), she would ask me to tell her stories and things about school, she always dreamt of going back to school.
My sister was 2 or something, my parents decided to have another kid after my father got out of the prison, I wasn’t thrilled.
Ever since she existed in the world, my sister, never saw Wadida out of the bed, she grew up thinking Wadida just lives there.
I gave up on the idea of playing with her again, especially that her health was getting worse, she had brain cancer, and she was dying. they told me several times she was very very sick but i never connected that to dying.
I played with Salam, her sister, and we were becoming close friends, and we used to write our dreams and wishes, I found a 'diary book' that I used to write in as a kid, I used to call it the red book, where i write everything i wish for, and draw , and play with words. In the red book, me and Salam wrote about our wish that Wadida would get better, but she didn’t , that was the beginning of our atheism.
We always thought it is not fair that God would make our child friend hurt and suffer, while the yahood are getting stronger and Ammo Abed is in jail.
Sometimes, or actually most of the times i dreamt I’d become 'superman' and kill the yahood and free Palestine. that dream was so real for me, i almost believed it. I was waiting impatiently to grow into 'superman' but i grew into just me.

Wadida's operations were getting more, and her pain was getting more, not only that she cant walk, she cant move her hands anymore, and she cries a lot. She was suffering.
I heard that the yahood finally agreed to allow Ammo Abed to see her, they brought him in a military Jeep , escorted by a dozen soldiers, he was handcuffed, he cried. I wasn’t there, of course i wasn’t there, but Auntie Im Wadida said that some of the soldiers cried.

And then one day, something happened, Wadida died. Me and Salam cried, we though we should even though we didn’t feel much, i for myself was in my imaginary world and not feeling anything, just numb. I thought crying would be the right thing to do .

I don’t remember the sequence of things, i think Ammo Abed was out at that point, because I remember the Koran in the day of Wadida's death in our house. ( i hated listening to Koran , it made me angry ). I thought they were hypocrites , no one there is religious, and God tortured Wadida, and took her away, and the yahood are still there, now they put Koran!? how hypocrite grown ups can be!

On that day, Ammo Abed didn’t say anything, I remember me sitting in his lap, he was stroking my hair.

I think i was around 9 years old when she died.